Tag Archives: Massive Attack

Reviews: Hot Chip, Massive Attack and Charlotte Gainsbourg

This might be the point where I could point out that it’s been almost a month since I wrote an article on here. I thought about coming up with some excuse about my future move out of L.A, but in reality I’m just lazy. In real reality, I’ve been playing too much video games.

ANYWAY, I’m here now. February was a pretty good month for music. Actually 2010 has gotten off to a really strong start. If we keep up this pace, it’ll be as memorable a music year as 2007 (Radiohead, Panda Bear, LCD Soundsystem, Burial, etc). In an attempt to atone for my absence, here’s some blurbs about the note-worthy releases in the past month. (Videos below)

HOT CHIP “ONE LIFE STAND”
Hot Chip is one of those bands that has yet to make a bad album. One Life Stand is no exception, well…minus the album cover. The record stands out as one of they’re brightest yet. From the bro-mance anthem of “Brothers” to the infectious “We Have Love,” the album just manages to keep you on your toes. The album’s closer, “Take It In,” is quite possibly the best track they’ve ever cut.
MASSIVE ATTACK “HELIGOLAND”
Seven freaking years. That’s how long I’ve waited for a follow-up to the underwhelming 100th Window. Heligoland is actually a decent return too. It may not be as strong as fellow trip-hoppers Portishead’s comeback 2 years ago, but the album is pretty trim. It’s closer to 1994’s Protection in it’s larger focus on instrumentation and subtle songwriting. But it’s a hearty welcome back with tracks like “Paradise Circus” and “Saturday Come Slow.”

CHARLOTTE GAINSBOURG “IRM”

Charlotte’s first LP, 5:55, has simply sat on my shelf since the week it came out. Good news! IRM will not suffer the same fate. This time around she enlisted Beck to help her write the music. And the product is the best Charlotte Gainsbourg yet, and the best Beck album since Sea Change.

As previously mentioned, I am moving to Seattle in the next month, so the site may once again suffer. I’ll try my best to keep on top of things, but I like to disappoint. Until then: I’m working on the Joanna Newsom review (3 discs is a lot to take in), I’m taking in the new Gorillaz album right now, and James Mercer/Danger Mouse’s Broken Bells LP comes out next week. I’ll try to get reviews up for each within the next 2 weeks.

-Chase


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Climate Control: The Next Massive Attack LP

I should probably disclose my relationship with Massive Attack. I discovered them as a companion to the mass amounts of Portishead I was listening to my freshman year of college. And a year later, they were the sole soundtrack to my life while I was engaging in “less than desirable” behavior. Once I shed my extreme debauchery skin, I found that Massive Attack may just be too dangerous to listen to. So, I shelved them for about 3 years, fearing relapse. Since then, I’ve found that I can dip my toes back into the troubled waters that are Massive Attack.

All that time, I was awaiting another album from the Britons ( at one time reduced to a single Briton). In 2006, I was teased with the single “False Flags,” thinking an album announcement was just around the corner. Instead, I got utter silence, and the trip-hop voices in my head began to demand satisfaction. Fast forward to 2009, and I’m teased yet again with the release of another proper LP. While the group now says “spring 2010,” they did deliver upon us the Splitting the Atom EP, which has raised more questions than answered.

The EP only puts forth two new songs, alongside two remixes. It’s safe to say, that Massive Attack are still able to produce that “sexy, slow crawl” trip-hop sound. “Pray For Rain” is a curious number featuring the vocals of TV On The Radio’s Tunde Adebimpe. The song is built around a strong, off-time drum beat, and features and excellent breakdown in the middle. It’s a definite slow burn, building up tension over it’s 6 minutes, before fading out at the end. It’s nothing really revolutionary for the genre. Actually, it sounds like it came off the stellar 1995 album Maxinquaye, by former Massive Attack collaborator, Tricky. Which, may not be new, is still a sound I’d love to welcome back into my life.

The title track, “Splitting The Atom,” is probably a better preview of what Massive Attack’s fifth LP will sound like. It’s shows us a Massive Attack that still builds a good atmosphere, but fails to really offer up any stand out moments. It’s a song that seems like it’s building up to a great pay off, only to simply end.

I’m still not willing to say that I’m disappointed with Splitting The Atom. However, it doesn’t exactly put my mind at ease. With the return of original member Mushroom, I still have hopes that a memorable Massive Attack LP is on the way. I’m just worried that they’re only shooting for middle rung material these days. But if 2010 passes us by, sans Massive Attack release, I’m probably just going to have to quiet those trip-hop ghosts and accept that Massive Attack just couldn’t survive in the new millennia.

-Chase