Tag Archives: The Flaming Lips

25 Favorite Albums of 2009 (Chris)

The placement of the top 5 is absolute.  Everything else shifts around a bit. There were others, but these were the ones that left the biggest hole in my brain.  My apologies to Animal Collective.  I still love you (that new EP is great!), but I guess “MPP” didn’t stick with me like it did every other person in the world.  No EPs or singles (which leaves out a bunch of awesome dance and dubstep records, unfortunately).  I’m bummed that I STILL haven’t heard the new Fuck Buttons or Califone.  This was honed from a list of about 60, so if it’s on here, it’s worth your time (maybe).  Like Nas said, you can hate me now.

25. A Place to Bury Strangers – Exploding Head

24. Yo La Tengo – Popular Songs

23. Pan American – White Bird Release

22. The Phantom Band – Checkmate Savage

21. Junior Boys – Begone Dull Care

20. Dirty Projectors – Bitte Orca

19. Yeah Yeah Yeahs – It’s Blitz

18. Raekwon – Only Built 4 Cuban Linx…Part II

17. Fever Ray – Fever Ray

16. The Juan Maclean – The Future Will Come

15. Khanate – Clean Hands Go Foul

14. Girls – Album

13. Atlas Sound – Logos

12. Dinosaur Jr. – Farm

11. Phoenix – Wolfgang Amadeus Phoenix

10. Kylesa – Static Tensions

9. Future of the Left – Travels With Myself and Another

8. Wolves in the Throne Room – Black Cascade

7. Bat for Lashes – Two Suns

6. The Flaming Lips – Embryonic

5. William Basinski – 92982

4. Tim Hecker – An Imaginary Country

3. Mount Eerie – Wind’s Poem

2. Sunn O))) – Monoliths & Dimensions

1. Clark – Totems Flare

New Releases: October 13

Do you still buy records/compact discs/mini-discs/cassingles?  Or do you seek out “alternate media sources” due to “space constraints” and/or a “bitch ass economy”?  Well, whatever.  Here are some of the more note-worthy releases coming to a “retail store”/”online outlet” near you:

Broadcast and the Focus Group Investigate Witch Cults of the Radio Age (Warp)

A collaborative mini-album sure to go well with yr herbal supplements.

The Flaming Lips Embryonic (Warner Bros.)

Some fratastic mellows are certain to be harshed by The Lips’ shift back to their more noisy, experimental side.  For the rest of us, we shall rejoice that one of America’s greatest musical treasures is freaky again.  Don’t worry, dudes, I’m sure there will still be room for the confetti.

Lightning Bolt Earthly Delights (Load)

It’s hard to believe that it’s been four years since these noise barons released their last full-length blitzkrieg.  Put on yr Mexican wrestling mask and put ear plugs in yr pussy (cat).  It’s about to get loud.

Neon Indian Psychic Chasms (Lefse)

(*Note: This is a fan-made video)

If you aren’t psyched about this, then your bulb has already burnt out.   Get to the old people’s home, McCain!

Small Black Small Black (CassClub)

The kids have created this brand new genre called “lo-fi”.  Don’t tell Lou Barlow or he might go back in time and destroy all of his Sebadoh cassettes.  But get this: sometimes the kids are alright.


Godflesh Pure/Cold World (Earache)

After Napalm Death but before Jesu, Justin Broadrick was the leader of this pack of equally noisy miserablists.  They ripped skin off of faces and put them on other confused faces.  Then they punched those faces until they cried.

The Raincoats The Raincoats (KillRockStars)

In 1979, The Raincoats released their debut album.  It was a post-punk classic.  It’s being reissued on vinyl.  Get.  It.  Now.

Chris Piercy

“Do You Realize that Oklahoma Is Home to People Other than Toby Keith and Garth Brooks??”

Suck it, Oral Roberts.

The Oklahoma House of Representatives doesn’t have a very impressive track record when it comes to progressive legislation, so it should come as no surprise that they don’t have very good taste in music either. Senate Joint Resolution 24, which would have immortalized the Flaming Lips transcendent Yoshimi cut “Do You Realize??” as the state’s official rock song, was defeated in the House yesterday by a vote of 48 to 39.

Mike Reynolds (R-OKC) took issue with the band’s “reputation for obscene language,” while rep. Corey Holland’s delicate sensibilities were offended by Michael Ivins’ pinko wardrobe.  On a related note, neither Holland nor Reynolds have ever heard rock music.

Luckily, Oklahoma governer Brad Henry (D) plans to sign an executive order next Tuesday honoring the will of his constituents, who voted overwhelmingly for the Lips in an online poll, and officially recognize that everyone you know someday will die:

“The music of the Flaming Lips has earned Grammys, glowing critical acclaim and fans all over the world,” the governor said. “A truly iconic rock n’ roll band, they are proud ambassadors of their home state.

“They were clearly the people’s choice, and I intend to honor that vote.”

[Courtesy of NewsOK.com]

I was born and raised in Oklahoma and, while it may seem insignificant, I truly feel a sense of real victory from a executive measure like this. It’s high time that Oklahoma rightly honor its significant creative voices. Oklahomans — and residents of the South, in general — have a hard enough time battling the stereotype that we’re know-nothing, uncultured rednecks with disdain for the “faggier” elements of society (i.e. the Arts).

The truth is that Oklahoma has given to the world the likes of Ralph Ellison, Woody Guthrie, N. Scott Momaday, Bill Moyers, and — of course — The Lips. These people have respectively made the world a better, stranger and more creative place; we should celebrate that.  Yet, if you were to walk the halls of any given public school during Oklahoma History Month, you’d think the state produced nothing but country singers and cowboys.

While most fellow Okies might not give the proper respect to the merits of Momaday’s House Made of Dawn or Ellison’s Invisible Man as opposed to, say, the staggering idiocy of Toby Keith’s “Courtesy of the Red, White and Blue,” I for one am thrilled to think that symbolic measures are being taken to remind us all that artistry isn’t dead in the South.


Kurt Cobain and Os Mutantes

Here’s a Brazilian interview with Kurt Cobain in which he spends the last minute or so enthusiastically talking about one of my favorite bands, Os Mutantes:

Os Mutantes were a psychedelic Brazilian band that were formed during that country’s Tropicalia movement in the late ’60s.  Their music was a thorn in the side of Brazil’s stifling political system and has been a treasure sought out by record collectors the world over.  David Byrne later helped expose the music to a larger world audience and they have gone on to perform alongside The Flaming Lips, a band that shares more than a few sonic similarities.  Here’s a song from the band’s debut album: